{"id":90,"date":"2009-08-30T22:00:27","date_gmt":"2009-08-30T20:00:27","guid":{"rendered":"https:\/\/www.janasouckova.cz\/?p=90"},"modified":"2022-01-20T10:28:16","modified_gmt":"2022-01-20T09:28:16","slug":"mahler-jihlava-hudba-tisicu-2009","status":"publish","type":"post","link":"https:\/\/www.janasouckova.cz\/index.php\/2009\/08\/30\/mahler-jihlava-hudba-tisicu-2009\/","title":{"rendered":"Mahler Jihlava – Hudba tis\u00edc\u016f 2009"},"content":{"rendered":"

Jihlava, Masarykovo n\u00e1m\u011bst\u00ed, D\u016fm kultury a odbor\u016f, Hotel Gustav Mahler, D\u011blnick\u00fd d\u016fm, chr\u00e1m sv. Ign\u00e1ce<\/strong><\/p>\n

Jana Sou\u010dkov\u00e1m Hudebn\u00ed rozhledy 8\/2009<\/em><\/p>\n

M\u016f\u017eeme bez obav \u0159\u00edci, \u017ee leto\u0161n\u00ed osm\u00fd ro\u010dn\u00edk mezin\u00e1rodn\u00edho hudebn\u00edho festivalu s\u00a0 p\u0159\u00edzna\u010dn\u00fdm pojmenov\u00e1n\u00edm Hudba tis\u00edc\u016f \u2013 Mahler Jihlava<\/strong> pat\u0159il ji\u017e mezi ka\u017edoro\u010dn\u00ed neopomenuteln\u00e9 akce nejen na Vyso\u010din\u011b. Letos na jeden ve\u010der zav\u00edtal v\u00a0r\u00e1mci \u010desk\u00e9ho p\u0159edsednictv\u00ed Evropsk\u00e9 unii i do Bruselu. Snahou organiz\u00e1tor\u016f festivalu je p\u0159edev\u0161\u00edm p\u0159ipomenut\u00ed osobnosti a odkazu Gustava Mahlera, kter\u00fd vyr\u016fstal v\u00a0krajin\u011b \u010ceskomoravsk\u00e9 vrchoviny a v\u00a0dosp\u011blosti se stal mezin\u00e1rodn\u011b uzn\u00e1van\u00fdm skladatelem a dirigentem, jako p\u0159\u00edle\u017eitosti ke vz\u00e1jemn\u00e9 mezin\u00e1rodn\u00ed spolupr\u00e1ci na hudebn\u00edm poli. I proto bude nov\u011b od leto\u0161n\u00edho roku festival zahajov\u00e1n v\u00a0den p\u0159ipom\u00ednky Mahlerova \u00famrt\u00ed v\u017edy 18. kv\u011btna oproti d\u0159\u00edv\u011bj\u0161\u00edmu podzimn\u00edmu term\u00ednu.<\/p>\n

Leto\u0161n\u00ed ro\u010dn\u00edk byl netradi\u010dn\u011b uveden pra\u017esk\u00fdm ,,prologem\u201c, kter\u00fd se konal v\u00a0\u00fater\u00fd 5. kv\u011btna v\u00a0reprezentativn\u00edch prostor\u00e1ch Clam Gallasova pal\u00e1ce na Star\u00e9m M\u011bst\u011b ve spolupr\u00e1ci se Spolkem Praha \u2013 C\u00e1chy\/Aachen v\u00a0r\u00e1mci projektu \u010cesk\u00e9 stopy ve sv\u011btov\u00fdch d\u011bjin\u00e1ch. Sou\u010d\u00e1st\u00ed ve\u010dera byla i p\u0159edn\u00e1\u0161ka p\u0159edstavitele Spole\u010dnosti Gustava Mahlera dr. Ji\u0159\u00edho \u0160tilce. B\u011bhem n\u00ed byly ve\u0159ejnosti p\u0159ipomenuty mahlerovsk\u00e9 aktivity chystan\u00e9 na nadch\u00e1zej\u00edc\u00ed jubilejn\u00ed roky 2010\/2011, kter\u00e9 budou m\u00edt mezin\u00e1rodn\u00ed charakter a prob\u011bhnou pod \u010destn\u00fdm patron\u00e1tem vnu\u010dky Gustava Mahlera Mariny Mahler. Prom\u00edtnuta byla i uk\u00e1zka z\u00a0ned\u00e1vno dokon\u010den\u00e9ho dokument\u00e1rn\u00ed seri\u00e1lu \u010cesk\u00e9 televize o Gustavu Mahlerovi, jeho\u017e autorem je propag\u00e1tor skladatelova odkazu dr. Zden\u011bk Mahler. O hudebn\u00ed \u010d\u00e1st festivalov\u00e9ho prologu se postarala mlad\u00e1 sopranistka Anna Trahov\u00e1<\/strong> symbolicky skladbou z\u00a0Mahlerovy rodn\u00e9 Vyso\u010diny \u2013 hor\u00e1ckou lidovou p\u00edsn\u00ed Sv\u011bt, m\u011bs\u00ed\u010dku, sv\u011bt<\/em>. Doprovodilo ji houslov\u00e9 Duo ECO<\/strong>, kter\u00e9 tvo\u0159\u00ed Eva Franc\u016f<\/strong> spole\u010dn\u011b se svoj\u00ed dcerou Pavlou<\/strong>. Interpretky p\u0159edvedly v\u00a0sehran\u00e9 h\u0159e dv\u011b houslov\u00e1 dua op. 102<\/em> od Josepha Haydna \u010di Malou suitu<\/em> od Josefa Bohuslava Foerstera.<\/p>\n

Samotn\u00fd festival za\u010dal v\u00a0pond\u011bl\u00ed 18. kv\u011btna promen\u00e1dn\u00edm koncertem na jihlavsk\u00e9m Masarykov\u011b n\u00e1m\u011bst\u00ed, kde se p\u0159edvedl t\u00e9m\u011b\u0159 pades\u00e1ti\u010dlenn\u00fd Dechov\u00fd orchestr mlad\u00fdch p\u0159i ZU\u0160 Gustava Mahlera Humpolec <\/strong>spole\u010dn\u011b s\u00a0ma\u017eoretkami z\u00a0T\u0159eb\u00ed\u010de. N\u00e1sledovalo slavnostn\u00ed zah\u00e1jen\u00ed v\u00a0prostor\u00e1ch radnice, na kter\u00e9m organiz\u00e1to\u0159i, p\u0159edstavitel\u00e9 m\u011bsta, kraje a dal\u0161\u00edch po\u0159\u00e1daj\u00edc\u00edch instituc\u00ed pozvali ve\u0159ejnost na t\u00e9m\u011b\u0159 dvoum\u011bs\u00ed\u010dn\u00ed, koncerty nabit\u00fd program. O hudebn\u00ed doprovod se postaralo mlad\u00e9 a nad\u011bjn\u00e9 sourozeneck\u00e9 trumpetov\u00e9 duo z\u00a0m\u00edstn\u00ed ZU\u0160 Walter a Vil\u00e9m Hofbauerovi<\/strong>. Vyvrcholen\u00edm zahajovac\u00edho dne bylo proveden\u00ed Mahlerovy Symfonie \u010d. 6 a moll<\/em> v\u00a0Divadeln\u00edm s\u00e1le DKO v\u00a0Jihlav\u011b ve vynikaj\u00edc\u00edm pod\u00e1n\u00ed Moravsk\u00e9 filharmonie Olomouc<\/strong> za \u0159\u00edzen\u00ed Petra Vronsk\u00e9ho<\/strong>. Ten pat\u0159\u00ed k\u00a0na\u0161im p\u0159edn\u00edm znalc\u016fm provozovac\u00ed praxe Mahlerov\u00fdch symfoni\u00ed a za maxim\u00e1ln\u00edho soust\u0159ed\u011bn\u00ed filharmonik\u016f p\u0159edvedl publiku jedno ze skladatelov\u00fdch nejn\u00e1ro\u010dn\u011bj\u0161\u00edch d\u011bl co do instrumentace i po\u017eadavk\u016f na poslucha\u010de. Symfonie s\u00a0ozna\u010den\u00edm ,,tragick\u00e1\u201c je pln\u00e1 rytmick\u00fdch i n\u00e1ladov\u00fdch zvrat\u016f, se kter\u00fdmi si Petr Vronsk\u00fd na velk\u00e9 plo\u0161e dok\u00e1zal bez probl\u00e9m\u016f poradit. P\u0159edev\u0161\u00edm osudov\u00e9 \u00fadern\u00e9 t\u00e9ma z\u00a0prvn\u00ed v\u011bty v\u00a0rytmicky korektn\u00edm pod\u00e1n\u00ed orchestru vt\u00e1hlo publikum do atmosf\u00e9ry symfonie. To bylo v\u00a0pomalej\u0161\u00edch \u010d\u00e1stech zjemn\u011bno p\u0159esn\u00fdmi n\u00e1stupy zvonkohry, za vyzdvi\u017een\u00ed stoj\u00ed i v\u00fdkony \u017ees\u0165ov\u00e9 a bic\u00ed sekce zavr\u0161uj\u00edc\u00ed celou symfonii ve fin\u00e1lov\u00e9 v\u011bt\u011b. Kvalitn\u00ed hudebn\u00ed z\u00e1\u017eitek tak zakon\u010dil cel\u00fd zahajovac\u00ed den Hudby tis\u00edc\u016f.<\/p>\n

Na jeden ve\u010der zav\u00edtal festival i do mezin\u00e1rodn\u00edch vod – 20. kv\u011btna byl v\u00a0\u010cesk\u00e9m centru v Bruselu organiz\u00e1tory spolu se z\u00e1stupci kraje Vyso\u010dina a m\u011bsta Jihlavy nast\u00edn\u011bn program p\u0159\u00ed\u0161t\u00edho ro\u010dn\u00edku, kter\u00fd bude zakon\u010den velk\u00fdmi oslavami v\u00a0rodn\u00e9m dom\u011b Gustava Mahlera v\u00a0Kali\u0161t\u00edch 7. \u010dervence v\u00a0den 100. v\u00fdro\u010d\u00ed narozen\u00ed skladatele, na kter\u00e9m vystoup\u00ed i sv\u011btov\u00fd barytonista a patron oslav Thomas Hampson. I d\u00edky p\u0159\u00edm\u00e9mu p\u0159enosu v m\u00e9di\u00edch napom\u016f\u017ee tato ud\u00e1lost k\u00a0prezentaci \u010cesk\u00e9 republiky a zejm\u00e9na Vyso\u010diny. Z\u00e1rove\u0148 zde byl p\u0159edstaven i dal\u0161\u00ed festivalov\u00fd projekt – m\u00e1lo zn\u00e1m\u00e9 p\u00edsn\u011b Almy Mahler v\u00a0pod\u00e1n\u00ed p\u0159edn\u00ed \u010desk\u00e9 mezzosopranistky Andrey Kalivodov\u00e9<\/strong> a klav\u00edristky Kristiny Kas\u00edkov\u00e9<\/strong>. \u00dasp\u011b\u0161n\u011b zde um\u011blkyn\u011b p\u0159edvedly i opern\u00ed \u00e1rie z\u00a0d\u011bl Bizeta, Verdiho a \u010cajkovsk\u00e9ho.<\/p>\n

Do Jihlavy se festival vr\u00e1til hned n\u00e1sleduj\u00edc\u00ed pond\u011bl\u00ed 21. kv\u011btna. Leto\u0161n\u00ed dramaturgie p\u0159ipomn\u011bla zaj\u00edmav\u00fdm liter\u00e1rn\u011b – hudebn\u00edm projektem spojen\u00ed Bed\u0159icha Smetany s\u00a0Jihlavou. V\u00a0Hotelu Gustav Mahler se tak uskute\u010dnil koncert pod n\u00e1zvem Jihlavsk\u00e9 reminiscence<\/em>, na kter\u00e9m vystoupilo p\u0159edn\u00ed \u010desk\u00e9 klav\u00edrn\u00ed trio ArteMiss<\/strong> tvo\u0159en\u00e9 houslistkou Ad\u00e9lou \u0160tajnochrovou<\/strong>, violoncellistkou Al\u017eb\u011btou Vl\u010dkovou<\/strong> a klav\u00edristkou Janou Holmanovou<\/strong>, spole\u010dn\u011b se zn\u00e1m\u00fdm moder\u00e1torem Janem \u010censk\u00fdm<\/strong>. V\u00a0poutav\u00e9 \u00faprav\u011b pro klav\u00edrn\u00ed trio p\u0159edvedly um\u011blkyn\u011b dokonalou souhrou popul\u00e1rn\u00ed melodie ze Smetanovy opery Prodan\u00e1 nev\u011bsta<\/em>, duo pro housle a klav\u00edr Z\u00a0domoviny <\/em>\u010di zn\u00e1m\u00e9 klav\u00edrn\u00ed Trio g moll<\/em>, kter\u00e9 Smetana slo\u017eil pod p\u0159\u00edm\u00fdm dojmem ze smrti sv\u00e9 mal\u00e9 dcerky. Popul\u00e1rn\u00ed \u010desk\u00fd herec a moder\u00e1tor Jan \u010censk\u00fd prokl\u00e1dal hudebn\u00ed \u010d\u00edsla leckdy i \u00fasm\u011bvn\u00fdmi \u00faryvky ze Smetanovy korespondence. Tou byl mimo jin\u00e9 p\u0159ipomenut i skladatel\u016fv pobyt na Vyso\u010din\u011b, kdy ho st\u011bhov\u00e1n\u00ed rodiny zavedlo b\u011bhem studentsk\u00fdch let i do Jihlavy, kde v\u00a0letech 1835-36 ne\u00fasp\u011b\u0161n\u011b nav\u0161t\u011bvoval n\u011bmeck\u00e9m gymn\u00e1zium. Poslucha\u010di tak m\u011bli mo\u017enost se z\u00a0korespondence dozv\u011bd\u011bt, \u017ee hudebn\u011b na mlad\u00e9ho skladatele v\u00a0Jihlav\u011b p\u016fsobil p\u0159edev\u0161\u00edm Viktor Ma\u0165ocha. Pobyt p\u0159ipom\u00edn\u00e1 i pam\u011btn\u00ed deska um\u00edst\u011bn\u00e1 na dom\u011b v\u00a0dne\u0161n\u00ed Smetanov\u011b ulici \u010d. 2, kde mlad\u00fd student bydlel. Ve\u010der byl tak p\u0159\u00ednosn\u00fd i sv\u00fdm popul\u00e1rn\u011b-vzd\u011bl\u00e1vac\u00edm obsahem za p\u0159isp\u011bn\u00ed suver\u00e9nn\u00edch v\u00fdkon\u016f klav\u00edrn\u00edho tria i p\u0159esv\u011bd\u010div\u00e9ho vyprav\u011b\u010dsk\u00e9ho um\u011bn\u00ed Jana \u010censk\u00e9ho.<\/p>\n

Jak v\u00a0lo\u0148sk\u00e9m roce sl\u00edbili po\u0159adatel\u00e9 Hudby tis\u00edc\u016f, ve st\u0159edu 3. \u010dervna se ve snaze oslovit a p\u0159ibl\u00ed\u017eit i mlad\u0161\u00edmu okruhu poslucha\u010d\u016f uskute\u010dnily hned dva dopoledn\u00ed speci\u00e1ln\u00ed koncertn\u00ed po\u0159ady pro studenty. Ojedin\u011bl\u00fd projekt dvou mlad\u00fdch instrumentalistek saxofonistky Kate\u0159iny Pavl\u00edkov\u00e9 \u2013 Stupkov\u00e9<\/strong> a perkusionistky Mark\u00e9ty Mazourov\u00e9<\/strong> dok\u00e1zal zcela zapln\u011bn\u00e9mu s\u00e1lu Hotelu Gustav Mahler, \u017ee i propojen\u00ed zvuku saxofonu a exotick\u00fdch bic\u00edch n\u00e1stroj\u016f m\u016f\u017ee mlad\u00e9 lidi zaujmout. Ob\u011b interpretky vystoupily ve\u010der je\u0161t\u011b jednou v r\u00e1mci po\u0159adu Saxofon a rytmika<\/em>. Ve sv\u00e9 kari\u00e9\u0159e se sna\u017e\u00ed propojit v\u00e1\u017enou i jazzovou hudbu, vznikaj\u00ed tak experiment\u00e1ln\u00ed aran\u017ee skladeb ur\u010den\u00fdch p\u016fvodn\u011b pro jin\u00e1 n\u00e1strojov\u00e1 obsazen\u00ed. Na koncertu zazn\u011blo v\u00a0transkripci pro baryton saxofon popul\u00e1rn\u00ed Bachovo Preludium \u010d. 1<\/em>, ale i sou\u010dasn\u00e1 hudebn\u00ed tvorba – vysp\u011bl\u00e9 hr\u00e1\u010dsk\u00e9 um\u011bn\u00ed p\u0159edvedla Stupkov\u00e1 ve skladb\u011b Johna Surmana Duet for One<\/em>, kdy si doslova u\u017e\u00edvala technicky n\u00e1ro\u010dn\u00e9 pas\u00e1\u017ee. Jak uvedla sama bicistka Mark\u00e9ta Mazourov\u00e1, ani skladeb napsan\u00fdch p\u0159\u00edmo pro spojen\u00ed marimby a barytonov\u00e9ho saxofonu mnoho nen\u00ed. I proto v\u00a0\u00favodu koncertu zazn\u011bla v\u00a0energick\u00e9m a rytmicky p\u0159esn\u00e9m pod\u00e1n\u00ed Danceova<\/em> skladatelky a p\u0159\u00edtelkyn\u011b interpretek Evy Kalavsk\u00e9 \u2013 Faltusov\u00e9 a dvouv\u011bt\u00fd Circus \u2013 Parade<\/em> skladatele Pierra Maxe Dubois. V s\u00f3lo skladb\u011b Earla Hatche Furioso and Valse in D minor<\/em> potvrdila Mazourov\u00e1, \u017ee ve h\u0159e na marimbu pat\u0159\u00ed mezi \u0161pi\u010dku. V\u00a0tempov\u011b rychl\u00e9m \u00favodu zaujala bezchybn\u00fdmi \u00fadery, ve druh\u00e9 pomalej\u0161\u00ed \u010d\u00e1sti si poradila s\u00a0dynamick\u00fdmi nuancemi, kter\u00e9 jsou p\u0159i h\u0159e na marimbu pom\u011brn\u011b n\u00e1ro\u010dn\u00e9. V\u00a0z\u00e1v\u011bru ve\u010dera uvedla i autorskou hravou zvukomalebnou skladbu V\u00a0Zoo<\/em> spole\u010dn\u011b se saxofonov\u00fdm doprovodem. Pr\u00e1vem si tak publikum vy\u017e\u00e1dalo p\u0159\u00eddavek a ocenilo dokonalou hr\u00e1\u010dskou souhru i s\u00f3lov\u00e9 v\u00fdstupy obou interpretek v\u00a0tomto experiment\u00e1ln\u00edm, av\u0161ak velmi kultivovan\u00e9m propojen\u00ed zvuku saxofonu a perkus\u00ed. Festival se tak nev\u0161edn\u00edm koncertem pro \u0161irok\u00e9 spektrum poslucha\u010d\u016f p\u0159enesl do sv\u00e9 \u010dervnov\u00e9 \u010d\u00e1sti, kter\u00e1 nab\u00eddla nem\u00e9n\u011b zaj\u00edmav\u00e9 orchestr\u00e1ln\u00ed i komorn\u00ed ve\u010dery.<\/p>\n

Ve spolupr\u00e1ci s\u00a0Rakousk\u00fdm kulturn\u00edm f\u00f3rem prob\u00edhala po celou dobu festivalu v\u00a0rodn\u00e9m dom\u011b Gustava Mahlera v\u00a0Kali\u0161t\u00edch u Humpolce doprovodn\u00e1 v\u00fdstava sc\u00e9nografick\u00fdch n\u00e1vrh\u016f Alfreda Rollera<\/strong>, kter\u00fd byl Mahlerov\u00fdm spolupracovn\u00edkem a p\u0159\u00edtelem za dob jeho p\u016fsoben\u00ed ve v\u00edde\u0148sk\u00e9 Dvorn\u00ed ope\u0159e. Vernis\u00e1\u017e se uskute\u010dnila v\u00a0ned\u011bli 24. kv\u011btna za \u00fa\u010dasti \u0159editele RKF v\u00a0Praze dr. Floriana Hauga a z\u00e1stupci festivalu na n\u00ed p\u0159edstavili i n\u00e1vrhy na pam\u011btn\u00ed 200 K\u010d minci, kterou \u010cesk\u00e1 n\u00e1rodn\u00ed banka vyd\u00e1 v p\u0159\u00ed\u0161t\u00edm roce u p\u0159\u00edle\u017eitosti v\u00fdro\u010d\u00ed narozen\u00ed Gustava Mahlera, v\u010detn\u011b v\u00edt\u011bzn\u00e9ho n\u00e1vrhu Josefa Opli\u0161tila a Miroslavy \u010ceslov\u00e9. Samotn\u00ed mlad\u00ed auto\u0159i sezn\u00e1mili zapln\u011bn\u00fd s\u00e1l i s\u00a0realizac\u00ed a pracovn\u00ed v\u00fdrobou pam\u011btn\u00edch minc\u00ed. Ji\u017e tradi\u010dn\u011b bylo odpoledn\u00ed setk\u00e1n\u00ed zakon\u010deno slavnostn\u00edm s\u00e1zen\u00edm r\u016f\u017ee. Do mahlerovsk\u00e9ho roz\u00e1ria tak spole\u010dn\u011b p\u0159isp\u011bli autor pam\u011btn\u00ed mince Josef Opli\u0161til a \u0159editel RKF v\u00a0Praze dr. Florian Haug.<\/p>\n","protected":false},"excerpt":{"rendered":"

Jihlava, Masarykovo n\u00e1m\u011bst\u00ed, D\u016fm kultury a odbor\u016f, Hotel Gustav Mahler, D\u011blnick\u00fd d\u016fm, chr\u00e1m sv. Ign\u00e1ce Jana Sou\u010dkov\u00e1m Hudebn\u00ed rozhledy 8\/2009 M\u016f\u017eeme bez obav \u0159\u00edci, \u017ee leto\u0161n\u00ed osm\u00fd ro\u010dn\u00edk mezin\u00e1rodn\u00edho hudebn\u00edho festivalu s\u00a0 p\u0159\u00edzna\u010dn\u00fdm pojmenov\u00e1n\u00edm Hudba tis\u00edc\u016f \u2013 Mahler Jihlava pat\u0159il ji\u017e mezi ka\u017edoro\u010dn\u00ed neopomenuteln\u00e9 akce nejen na Vyso\u010din\u011b. Letos na jeden ve\u010der zav\u00edtal v\u00a0r\u00e1mci \u010desk\u00e9ho … Pokra\u010dovat ve \u010dten\u00ed „Mahler Jihlava – Hudba tis\u00edc\u016f 2009“<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[5],"_links":{"self":[{"href":"https:\/\/www.janasouckova.cz\/index.php\/wp-json\/wp\/v2\/posts\/90"}],"collection":[{"href":"https:\/\/www.janasouckova.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.janasouckova.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.janasouckova.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.janasouckova.cz\/index.php\/wp-json\/wp\/v2\/comments?post=90"}],"version-history":[{"count":5,"href":"https:\/\/www.janasouckova.cz\/index.php\/wp-json\/wp\/v2\/posts\/90\/revisions"}],"predecessor-version":[{"id":358,"href":"https:\/\/www.janasouckova.cz\/index.php\/wp-json\/wp\/v2\/posts\/90\/revisions\/358"}],"wp:attachment":[{"href":"https:\/\/www.janasouckova.cz\/index.php\/wp-json\/wp\/v2\/media?parent=90"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.janasouckova.cz\/index.php\/wp-json\/wp\/v2\/categories?post=90"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.janasouckova.cz\/index.php\/wp-json\/wp\/v2\/tags?post=90"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}